LUTOSLAWSKI MI PARTI PDF

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The orchestral work Mi-Parti was commissioned by the city of Amsterdam for its Concertgebouw Orchestra , which gave the work its premiere under Lutoslawski 's direction on October 22, Lutoslawski found the piece's unusual title in a dictionary; its definition is "composed of two equal but unlike parts. In this minute composition Lutoslawski contrasts what he calls "warm" colors, using intervals of thirds and sixths, with the "cold" colors of major seconds, tritones, fourths, and fifths.

The warm colors are employed at first, in a spacious and sensuous opening combining string glissandi slides and sustained tones. Clarinet, French horn, and other winds join in with short melodic motifs. The orchestration becomes denser as Lutoslawski starts to introduce the "cold" colors.

The music becomes louder and more chaotic as pizzicato plucked strings, scurrying figures in the piano, and jagged brass fanfares appear and build to a wild and noisy climax. The colors then start to change again; dense string sonorities gradually ascend to the stratosphere, and sustained tones fade to a quiet and shimmering ending. AllMusic relies heavily on JavaScript. Please enable JavaScript in your browser to use the site fully.

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Rainy Day Relaxation Road Trip. Romantic Evening Sex All Themes. Features Interviews Lists. Streams Videos All Posts. Genre Orchestral Classical. Period Modern. Comp Date Avg Duration Share on facebook twitter tumblr. Antoni Wit. Lutoslawski: Orchestral Works. EMI Classics. Witold Lutoslawski: Orchestral Music. Witold Lutoslawski: Symphonies Nos. Warner Classics. Angel Records.

BBC Philharmonic Orchestra. Lutoslawski: Concerto for Orchestra, etc. EMI Music Distribution. Lutoslawski: Mi-Parti; Preludes. Polskie Nagrania. Naxos EMI Classics CD Accord Angel Records NM Classics Chandos EMI Music Distribution Polskie Nagrania

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Witold Lutoslawski: Mi-Parti For Orchestra

The first performance took place on 22 October in Rotterdam , with the composer conducting the Concertgebouw Orchestra. The work calls for a large orchestra made up as follows: [1]. From Wikipedia, the free encyclopedia. Instrumentation [ edit ] The work calls for a large orchestra made up as follows: [1] woodwind : 3 flutes all doubling piccolo , 3 oboes , 3 clarinets 3rd doubling bass clarinet , 3 bassoons brass : 3 trumpets in C, 4 horns , 3 trombones , 1 tuba percussion : timpani , 3 percussionists bells , marimba , xylophone , glockenspiel , tam-tams , cymbals , vibraphone without motor celesta , harp , piano and strings 8 first violins , 7 second violins, 6 violas , 6 cellos and 4 basses. Chester Novello. Retrieved 17 April

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Mi-Parti, for orchestra

Mi-parti was composed in the years on a city of Amsterdam commission for the orchestra Concertgebouw, which also gave its world premiere, first on October 22 in Rotterdam, , and two days later in Amsterdam, both under the direction of the composer. Here, the musical phrases are often made up of two sections, and the repetition of the second one includes a new element. The beginning module of the piece is based on a cycle of eight vertical tone aggregates. In the course of the musical action's development this cycle advances upwards in semitone steps. The next module, characterized by increasing motion, leads to a climactic point. A cantilena of twelve violins ad libitum leads up the scale and stops at the note c unisono ". The composition is written in one movement, which is made up of successive segments, each built from a series of various phrases.

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The orchestral work Mi-Parti was commissioned by the city of Amsterdam for its Concertgebouw Orchestra , which gave the work its premiere under Lutoslawski 's direction on October 22, Lutoslawski found the piece's unusual title in a dictionary; its definition is "composed of two equal but unlike parts. In this minute composition Lutoslawski contrasts what he calls "warm" colors, using intervals of thirds and sixths, with the "cold" colors of major seconds, tritones, fourths, and fifths. The warm colors are employed at first, in a spacious and sensuous opening combining string glissandi slides and sustained tones. Clarinet, French horn, and other winds join in with short melodic motifs.

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